What does the Overtone Series Sound Like
Here is an audio clip of the first 13 overtones based off a starting frequency of 100 Hz, played them all consecutively at the same volume:
At the end I played all thirteen notes at once; notice how they
fuse into a harsh, saw-tooth-like tone, that has a low frequency
of 100 Hz.
The Harmony in the Harmonic Series
If I start with a given frequency x (like 100 Hz above), the frequency of the second harmonic is 2x, the third 3x, the forth 4x, etc. If I play them all at the same time, I get the ratio x:2x:3x:4x:5x:6x... which becomes 1:2:3:4:5:6... Notice how inside this unending ratio I get all of the simple frequencies, in order of how consonant they are:
- 1:2 is an octave
- 2:3 is a perfect fifth
- 3:4 is a perfect fourth
- 4:5 is a major third
- etc. etc.
Playing the Harmonic Series
If I attempt to play the harmonic series on a piano out, I run into a few problems; Western music doesn't have a note that corresponds to the seventh harmonic, meaning that I have to play the nearest note or play the nearest two notes at once to emulate it, Thelonious-style. I also have this problem with the 13th overtone. Nevertheless, one of the advantages of playing the harmonic series out on an instrument is that since each note is already a harmonic series, it is easier to differentiate the harmonies between:If I take the first 9 harmonics and I use the
rule where notes that are an octave apart are effectively the
same thing, I end up with what's known as the pentatonic
scale, which is the most common scale in music around
the world; Western music is based off a scale called the major
scale, which itself is just the pentatonic scale with 2
extra notes added in:
Here, I play the first 9 harmonics moved via octaves to the same region, and then play the pentatonic scale, and then the major scale.
Now, when people started using scales and harmonies to make
music, they had not a clue about how any of this works; but
due to the way that sound physics work, they ended up using
the harmonies and notes that are mathematically the
simplest. It is in this way that harmony itself is a
derivative of the physics and mathematics.
Here, I play the first 9 harmonics moved via octaves to the same region, and then play the pentatonic scale, and then the major scale.